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You are here: Home » British/American Poets » Walt Whitman » I Sit and Look Out


Walt Whitman

Walt Whitman

I Sit and Look Out

I sit and look out upon all the sorrows of the world, and upon all oppression and shame,
I hear secret convulsive sobs from young men at anguish with themselves, remorseful after deeds done,
I see in low life the mother misused by her children, dying, neglected, gaunt, desperate,
I see the wife misused by her husband, I see the treacherous seducer of young women,
I mark the ranklings of jealousy and unrequited love attempted to be hid, I see these sights on the earth,
I see the workings of battle, pestilence, tyranny, I see martyrs and prisoners,
I observe a famine at sea, I observe the sailors casting lots who shall be kill'd to preserve the lives of the rest,
I observe the slights and degradations cast by arrogant persons upon laborers, the poor, and upon negroes, and the like;
All these—all the meanness and agony without end I sitting look out upon,
See, hear, and am silent.

This Poem Appears In

More by Walt Whitman

  1. Song Of Myself
  2. I Hear America Singing
  3. I Sing The Body Electric
  4. Crossing Brooklyn Ferry
  5. Out Of The Cradle Endlessly Rocking

Literary Commentary

Walt Whitman's 'I Sit and Look Out' is a ten-line poem that catalogs the world's sorrows (domestic abuse, war, famine, racial and class oppression) and closes with a single short line: 'See, hear, and am silent.' Published in the 1860 edition of Leaves of Grass, the poem is the dark counterweight to the expansive, embracing voice readers know from Song of Myself.

The form does most of the work. Eight of the ten lines begin with 'I' and a verb of perception (sit, hear, see, mark, observe), and the verbs ladder from posture to clinical observation as the catalog accumulates. The penultimate line gathers everything ('all the meanness and agony without end I sitting look out upon'); the final line strips the 'I' away entirely, leaving only the unattributed actions and a refusal to speak.

What that silence means is the question the poem leaves open. Scholars at the Walt Whitman Archive read it as the dignity of the witness whose response is held back. Other commentators have read it less generously, as paralysis or complicity from a poet whose democratic ethos elsewhere demands solidarity. A third reading notes the irony: the poem itself is anything but silent, since publishing the catalog is its own kind of speech, and the closing line may be the speaker handing the work of judgment to the reader. Whitman does not adjudicate among these readings, and that openness is part of why the poem persists.

Key themes

  • the ethics of bearing witness
  • the catalog of social suffering
  • silence as response
  • sectional crisis on the eve of the Civil War

Notable craft elements

  • anaphora: eight of ten lines begin with 'I' plus a verb of perception
  • cumulative catalog form, paratactic and unsubordinated
  • the disjunctive final line that strips away the 'I'

Reread prompt

Trace the verbs of perception line by line. What changes between 'hear' in the second line and 'observe' in the seventh, and what is left when the final line drops the 'I' altogether?

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